First of all, I love my job…I love my job….I love my job.  I really do.  But 6:30 am is too early to be driving to a gig.  I keep asking myself over and over, “Who the [blazes] booked this thing???!”  And then being forced to answer, “Oh.  I did.”  

Portland Opera To Go is in full swing and we have been experiencing terrific success, both in schools and in our various McMenamins venues.  I couldn’t be more pleased or proud of the magnificent and heroic work ethic and professionalism exhibited by my cast, and their ability to pull a brilliant performance out even when the evening performance is 12 hours after our initial call.  We did that this week.  I am telling you—we are Opera Peace Corps, the toughest job you will ever love.

But, of course, even the toughest job has its perks.  For instance, watching Stacey Murdock as Dr. Dulcamara turn on the bubble machine in his cart and watching the kid sitting next to me gasp and bounce, exclaiming, delighted, “Now, THAT’S cool.”  Or having an octogenarian taking the usual place of a kindergartner delivering a “telegram” in the show, and having him be as full of joy as a five-year-old to help us out, even as he gave me a knowing wink.  Or getting to actually say, “Yeah, we are playing The Crystal tonight.”  Or seeing our pianist, David, sitting on an amp at the keyboard on the sidewalk at 14th and Burnside in the middle of the night as we loaded out of the Crystal Ballroom.  

Sunday is generally a day of rest, but not for Portland Opera to Go We performed our first of eight McMenamins shows at Grand Lodge in Forest Grove, OR. The audience was packed and enthusiastic as our singers performed “The Elixir of Love” on a vaudevillesque stage. Our second act consisted of favorite selections from opera and musical theater. In all, it's a two hour program, and the audience was with us 100%. We repeated this performance later in the week at McMenamins Sandtrap in Seaside, OR. Again, we had an appreciative audience and helpful McMenamins staff. How can you go wrong? Great food, great drinks, and great music!

After spending Sunday night at Grand Lodge we were off to the coast. Wheeler on the Bay in Wheeler, OR, became our homebase for the next 3 days and nights. Owners Pat and Tracy couldn't have been more hospitable if they'd tried. Each room is decorated differently. I stayed in the “Chinook Room” which had a queen bed, dinette, and fireplace. Alexis had an in-room spa! She deserved it. Breakfast? Tracy takes care of it. Video rentals? Free! Pat and Tracy have an entire room of movies that are complimentary for guests. I am no longer stranger to “Casablanca.”

Elementary schools that week included Nehalem, Cannon Beach, and Tillamook. I hope these kids realize what a beautiful area they live in! And music is thriving in these schools. It's reassuring to meet dedicated music teachers who are giving their students the opportunity to see opera. I was 25 before I saw my first opera!

The morning of Jan. 11th, 2011 began cold, gray and damp, with the threat of snow. Inside the Camerata Room at The Hampton Opera Center it was warm and inviting. The artists and tour managers were introduced to each other over coffee and bagels. Before the meeting had officially started we were honored with a visit from General Director Christopher Mattaliano. He told us of his love for education and outreach, and how important Portland Opera to Go is to him and the company. He truly inspired us to dive in head first.

After that treat, we were able to meet our director, and creator of this version of Elixir, Kristine McIntyre. We dove in and started singing. The music is timeless, and coupled with the witty translation by our director, incredibly funny! Singing through the score was a treat! Our accompanist David Saffert is amazing!, and singing with Erik, Dan, and Ainsley is awesome! What a group of talent.

After lunch (pulled pork sandwich at Tennessee Red's, Located at 2133 SE 11th Ave) we were able to spend some time exploring our amazing set. I think Dr. Dulcamara’s cart is my favorite prop piece! This set is a visual treat, and great fun to play on! We started staging that very day. We are all looking forward to performing for thousands of kids all over Oregon and Washington. Also, thanks to McMenamins for being the sponsor of our tour!
 

Till next time,

Stacey

Well, the countdown continues!  Today I went to the warehouse to check on what I might need to bring with us and got a wonderful preview of our set.  The folks at the warehouse were excited to show me all of the bells and whistles, and I have to say, it may be our cutest set ever!  Not only is it adorable, but it is beautiful and painterly, based heavily on the artistic style of Thomas Hart Benton.  

More important to me while wearing my tour manager hat, is the amazing and ingenious ease with which it has been designed and executed.  No tools are needed in the set up or strike.  Our shop has truly outdone themselves.  Kudos to Jim Sisemore, Jonah Stagg and Linda McGinnis for a fantastic set and an enthusiastic and informative introduction to it—I cannot wait to see the cast’s faces when they see the world that has been built for them!