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Jess Crawford

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PDX OPERAbeat | A Company Blog is the blog for all things Portland Opera, featuring a variety of guest contributors who will provide insider's tidbits on all we do to celebrate the beauty and breadth of opera. Jess Crawford is our primary blogger. Jess spends much of her time eating enormous amounts of cake, making long lists of books she'll probably never read, and challenging people to arm-wrestling contests. During the day (and sometimes at night) she is Portland Opera's music librarian. She writes more about her escapades at her personal blog: http://bravissimi.blogspot.com
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Galileo Galilei Scene 8: Lamps

 

scene 8

 

Okay, so first of all, Scene 8 might be my favorite. (But when I write about Scene 2 I might tell you that one is my favorite. Forgive me. I just don't know, you guys).

 

In this scene, Galileo and his young daughter sit in church, listening to the priest recite Mass. Maria Celeste (her given name was actually Virginia; she became Maria Celeste when she entered the convent) asks Galileo, "Father, what does the Latin say?" Galileo translates for her. "It says, 'Every word of the Bible is sacred, as though descended from heaven.'" The priest continues to deliver the Mass, and Maria Celeste begins, haltingly, to translate the Latin herself. "The Lord laid down the foundations of the earth, that it not be moved forever."

 

Meanwhile, Galileo has become distracted. As the Mass goes on, Maria Celeste notices the change in the focus of his attention and asks him what he's looking at. "I am looking at the light," he tells her, and then asks her to look up and tell him what she sees. "It's only the chandelier swinging like a pendulum," she answers. He asks her which takes longer, the pendulum swinging a small distance, or a large one, and when she responds -- that presumably it would take the pendulum farther to cover a long distance -- he gently corrects her. No matter how far the pendulum travels, he says, it takes the same amount of time. "But how can you know?" she asks, and he explains that he uses his pulse to time each swing. He comments on the deep and utter perfection of God's world, and remarks that observation of the world is another way of praising the lord.

 

Galileo Galilei: Meet the Director, Kevin Newbury

Overheard in a recent rehearsal:

Kevin: "Whatever the most amount of fire I can have, I want that."
Jennifer: "Like maybe a torch in a bucket?"
Kevin: "A torch in a bucket… maybe."
Lindsay: "Fire Bucket -- that's my nun name."
Jose: "Sister Fire Bucket."

 

I watch the cast use a table rack, swiped from our physical plant room, as a makeshift gondola, which involves Nick Nelson and André Chiang sitting on chairs on a platform about 4 1/2 feet long, facing each other. The constraints of the fake gondola are such that the two guys are seated nearly on each other's laps, and a ripple of laughter spreads through the cast when they're finally set.

Some costume pieces were added today: petticoats for the ladies, and cloaks and caps for the two Inquisitors. Nick has a black velvet cloak, trimmed at the neck in gold. They are AWESOME.

 

Meet the Director: Kevin Newbury

 

I recently sent members of the cast a few questions to answer for you, blog readers. Kevin graciously told me all about the fun and the challenge of working on modern shows like Galileo. Let's not ever break it to him that it doesn't stop raining in Portland, OK?

In the meet and greet, you told us you like to listen to the music of Philip Glass and John Adams for fun, in your own home. You mentioned, too, that you're 'definitely the person to talk to if you want to get into this music.' What would you say to someone who might be interested in developing an appreciation for composers like Glass and Adams?

Galileo Galilei- Scene 9

Scene 9: Presentation of the Telescope

Cast Photo 1

In Scene 9 of the opera, Galileo presents his newest invention, the telescope, to three powerful noblewomen: Marie de Medicis, Maria Maddalena, and, as she is introduced with great aplomb, "our celestial Grand Duchess, Mother Madama Christina." At the ladies' urging, Galileo explains the inner workings of the instrument, and how he came upon the idea.

Grand Duchess Christina of Tuscany
Grand Duchess Christina of Tuscany

Galileo had a long-standing relationship with the Medici family, of whom all three women were a part. From 1605 to 1608, the astronomer was the tutor of Cosimo II, son of Grand Duke Ferdinando I, and his Grand Duchess, Christina of Lorraine. Among other things, Galileo instructed the boy on the use of one of his inventions, a military compass, and afterward he published an edition of those instructions, in a limited run of 60 copies, dedicated to his pupil. Cosimo II and Galileo remained friends throughout Cosimo's life, through his ascent to Grand Duke in 1609 until his death from tuberculosis in 1621.

A year before Ferdinando's death, the Grand Duke required his son to marry Archduchess Maria Maddalena of Austria, in order to cement an alliance with Spain, where Maria Maddalena's sister was the incumbent Queen consort. Upon Cosimo's death in 1621, Maria Maddalena and her mother-in-law (the Duchess Christina) acted as co-regents until Cosimo's ten-year-old heir came of age.

 

Maria Maddalena
Cosimo II's wife, Archduchess Maria Maddalena of Austria

As for Marie de Medicis (the French version of her name; in Italian she is known as Marie de' Medici): she was Cosimo II's cousin, and also just happened to be wife of King Henry IV of France, and, therefore, France's Queen consort.

Marie de Medicis
Marie de Medicis

Got that? I had to draw a diagram to figure it out.

So, about that telescope. In 1609, news of a telescope invented by a Dutchman, Hans Lippershey, spread quickly through Europe. When Galileo heard of the invention, he immediately set to work trying to replicate it. His telescope used one convex lens and one concave lens, allowing the user to see the magnified image upright, whereas Lippershey's telescope, made of two convex lenses, transmitted the magnified image upside-down. The Venetian Senate had just convened to discuss purchasing Lippershey's telescope, but by enlisting his powerful friends to pull some strings, Galileo managed to slip his version into the Senate first. The instrument was crafted in a tooled leather case, and allowed the senators to see galleys on the horizon that did not become visible to the naked eye for another two hours. In a political stroke of genius, Galileo offered the telescope to the Senate for free, and was awarded tenure in his teaching post at Padua for life, at double his wages, bringing his yearly salary to 1,000 crowns.

So, just to be clear, although Galileo is commonly credited with invention of the telescope, he actually kind of ripped it off another guy. But Hans Lippershey likely didn't invent the first telescope, either, so don't feel too badly for him.

 

Cast Photo 2


Despite its origin, it's what Galileo observed through his famous telescope that really matters:

• The four brightest moons of Jupiter, which he named "the Medicean stars," to honor the Medici family (although that didn't stick: now they're called the Galilean moons);
• The pock-marked face of the moon, with mountains, he calculated (by observing the terminator, the line separating lunar day from night) to be at least 4 miles tall. The discovery of the moon's craggy surface contradicted Aristotelian cosmology, which asserted that the heavens, which must be more perfect than the earth, were flat and utterly unblemished
• The Milky Way, which he discovered was not a solid object, but was in fact made of lots and lots of individual stars

Galileo published his findings in a booklet called The Starry Messenger, which had an initial run of 550 copies, and which was so successful that Galileo himself only managed to get 6 copies. He dedicated the work to Cosimo de' Medici. It has been described as the most important book of the seventeenth century.

 

The Starry Messenger
The diagram of the optical principles of the telescope, from Galileo's book, The Starry Messenger.