May 2009

"Now where did I put my glass slippers?"

Priscilla Barrow, photo by Bill O'leary - The Washington PostGentle readers, meet Priscilla Barrow! She teaches general music at two public schools in D.C. and has been doing so for 22 years. Just imagine how many students have developed a love for music at her instigation and with her encouragement. Of course she did it mainly for the fabulous pay and lifestyle such a vocation provides public school teachers. Priscilla you are my hero! We are all very excited for you and hope that you have a wonderful time.

This picture was taken from the Washington Post website. Yes, I am sure it's copyrighted. I think it will be easier to ask forgiveness than permission, don't you?

If for whatever reason you didn't get to read last week's Operaman I would suggest you do so right away or this week's offering will mean nothing to you. And if you did read it you may want to read it again and kick your week off with a happy smile on your face. Also it contains updates that I added as the week went on and there was more to report.Many thanks to those of you who made comments and said nice things; I really appreciate your doing so.

Now. Time for More Updates!
I have just heard from the General Manager of the Four Seasons hotel in D.C. to whom I spoke a few days ago. He wishes to invite Priscilla to spend the nights of the opera and the Opera Ball at his little place. I checked out their web site and see that the cheapest room is $650 +tax. For that I imagine you have to share a bathroom down the hall and make your own bed - but the location is excellent. Thank you Four Seasons!

Operaman gets to play Fairy Godfather!

Fairy Godfather by dragonfly slyOperaplot
I am not much given to false modesty. Actually, those who know me will tell you I am not much given to any other kind of modesty either. That having been said I could scarcely blog this week and not mention that I was First Prize winner in the Twitter Operaplot contest that I have been going on about for the last couple of weeks. The announcement is here. My prize? Two premier seats to the Washington National Opera production of Turandot and two tickets to the very grand Washington Opera Ball to be held this year at the German ambassador's Residence in D.C. This is announced as the premier social event of the year in D.C.

Now here's where it gets to be fun. My initial thought was "Hey, I could sell this prize and use the money for alcohol and decadent living!" but then the voice in my other ear -the one that always has these sensible ideas which tend not to be nearly as much fun - finally came up with a winner. "Hey! Why not give this prize to someone who has probably never been to the National Opera or a swanky ball and who will really get a kick out of it?" Well okaaayyyy....but who? "How about a Washington D.C. inner-city Public School Music Teacher?" I'm still kinda likin' the decadence thing..."No!" Oh, very well....

Here are some notes I made during the week as things progressed.

Alert!

Alert signI apologise for not providing your weekly opera fodder on Monday as I usually do but I will not be able to post my blog until Wednesday as there is exciting news to announce but I don't believe I will have confirmation of certain important matters in time to post today. So - be sure to check back here around noon tomorrow!

You will want to look. This is very, very cool stuff I have to tell you. I promise!

Stick a fork in me!

Brett Favre"I'm done with opera!" tenor José Carreras is quoted as telling the Times in London in a recent interview. However it would seem his manager didn't get the memo because he is reported as saying Carreras would perform again "if the right production came along". If you can't remember who Carreras is try to picture the Three Tenors; Pavarotti was the 350 pound behemoth with the golden pipes, Domingo was the good looking one with charm, looks and a wonderful quality in the upper range of his glorious voice and Carreras....Carreras was the luckiest damn tenor in the world! And now? He is angling to become the Brett Favre of the opera world. I guess we'll just have to see whether he shows up for tenor mini-camp in the fall. The picture this week shows Favre giving his all to the last bar of Nessun Dorma.

Twitter Operaplot
The entries are in and we await the decision of Danielle De Niesse to see whose 140-character synopsis is judged the cleverest/wittiest or whatever. I said I would post those sent to me and here is a selection:

Locally, Operaman reader Lea offered, inter alia, this summary of Fidelio:
I'm deeply in love w/ F. Oh, he's a woman? No problem. Oh, she frees her hubby from prison? Wait--where's MY happy ending?
I like that one lots, Lea. Brava!

Meanwhile Grrlpup decided that Dido and Aeneas boiled down to:
@ aeneas, u fairweather friend! i say i do, u leave me for real estate?? Now mine is dust. ur so dam mercurial…but remember me.
Yes, that's it in a nutshell isn't it? Good job, Grrlppup.

"Hey, jester! What ya got in that sack?"

Richard Troxell as the Duke in Rigoletto rehearsalLocal News

It's time for Rigoletto, Portland Opera's last offering of the 2008/2009 season. My 'moles' who bring me news from the rehearsal room tell me the cast has meshed really well and this is shaping up to be an excellent show. I shall attend the final dress rehearsal on Wednesday and Opening Night on Friday and I will tell you next week whether I had a good time.

One of my favourite Portland Opera regulars, Richard Troxell, is back and will be singing the role of the Duke, As I have probably mentioned before, in addition to admiring Richard's splendid voice and the total professionalism he brings to his work I enjoy his visits here because he also happens to be a really decent and socialised guy whom I like a good deal on a personal level. I wasn't able to see him at the Meet 'n Greet 'cos I was a sickie but I caught up with him later. I had intended to ask him only about his role in this opera but then recalled one of his major personal flaws and - being the go-for-the-jugular type of blogger that I am - I thought I would open the conversation in a way calculated to cause him maximum embarrassment. Here's how the conversation went:

Operaman: So, Mister-Nice-Guy. Would you care to explain how you can live with yourself and still support the Baltimore Orioles, an American League team that sends onto the field of play that anathema to all right-thinking baseball fans - the designated hitter? Huh? HUH?

Applause! Applause!

Twitter operaplot logoI am fascinated by new gadgets particularly electronic stuff and computer software. With the latter I tend to be what is known in the trade as an early adopter. Some computer programmes have stuck with me over a lengthy period - Livejournal for instance is a 'community' site where I read and/or post stuff most days. Others have come and gone through my hard drive in the blink of an eye. I have never been in the thrall of Facebook, MySpace or Twitter- particularly Twitter which allows one to send messages to one's friends but with the limitation that they must not exceed 140 characters in length. As someone who has been accused of never using one word when six will do, you may imagine such brevity ill suits my style. But this week all that may change. Why? Because of a competition which I am going to enter and I would encourage you to do so as well. Here's the deal: Miss Omniscient Mussel in her eponymously-named blog is challenging her readers to summarise their favourite opera in 140 characters or less. She ran a similar contest a while ago and it had some success even though the prizes were of a minor nature (CD's etc). There were nevertheless some intelligent and very funny suggestions. My own favourite? La Bohème: