March 2011

“right and final”

In preparation for next month’s production of L’heure espagnole and L’enfant et les sortilèges with the Portland Opera Studio Artists, I’ve been going through A Ravel Reader, Arbie Orenstein’s marvelous collection of correspondence, articles, and interviews. I’m just enough of a creative process geek to find all of this stuff endlessly fascinating anyway, but with Ravel there’s an added bonus because his music often half conceals what it half reveals. I’ll be posting random quotes from the book between now and the first week of April, when the two shows open; many of these will relate to the operas, while others will–I hope–provide a more general background to Ravel’s compositional art. To start, here’s Elliot Carter, writing about Ravel in 1937: