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Galileo Galilei: Scene 7, A Walk in the Garden

Scene 7: A Walk in the Garden
 

Galileo: Both nature and holy scripture are the outward forms of Holy Spirit. Yet I think you might agree, the Bible is a book about how to go to Heaven -- not how the heavens go.
Barberini: Very clever, Galileo. Of course the mind of God is beyond what we can imagine. Even with your telescope, you cannot see that far.
 

In this scene, Galileo visits the garden of Cardinal Maffeo Barberini, a long-time close acquaintance. The Cardinal greets Galileo warmly, and reads a section of a poem he's composed for the astronomer, called "Dangerous Adulation."
 

When the moon shines and displays
Its golden procession, and its gleaming fires In its serene orbit
A strange pleasure draws us and rivets our gaze.
This one looks up at the shining evening star
And the terrible star of Mars
And the track colored with the luster of milk
That one sees your light, oh Cynosure.


Or another marvels at either the heart of the Scorpion
Or the torch of the Dog Star
Or the satellites of Jupiter
Or the ears of father Saturn
Discovered by your glass, O learned Galileo . . .

 

Not always, beyond the radiance that shines
Does it become clear to us:
We notice the black defects on the sun
(Who would believe it?)
By your art, Galileo.

 

"It goes on nineteen stanzas," the Cardinal continues. "I'll let you read it at your leisure."


the cardinal
(Nicholas Nelson as Cardinal Barberini, in rehearsal)

Galileo Galilei Scene 8: Lamps

 

scene 8

 

Okay, so first of all, Scene 8 might be my favorite. (But when I write about Scene 2 I might tell you that one is my favorite. Forgive me. I just don't know, you guys).

 

In this scene, Galileo and his young daughter sit in church, listening to the priest recite Mass. Maria Celeste (her given name was actually Virginia; she became Maria Celeste when she entered the convent) asks Galileo, "Father, what does the Latin say?" Galileo translates for her. "It says, 'Every word of the Bible is sacred, as though descended from heaven.'" The priest continues to deliver the Mass, and Maria Celeste begins, haltingly, to translate the Latin herself. "The Lord laid down the foundations of the earth, that it not be moved forever."

 

Meanwhile, Galileo has become distracted. As the Mass goes on, Maria Celeste notices the change in the focus of his attention and asks him what he's looking at. "I am looking at the light," he tells her, and then asks her to look up and tell him what she sees. "It's only the chandelier swinging like a pendulum," she answers. He asks her which takes longer, the pendulum swinging a small distance, or a large one, and when she responds -- that presumably it would take the pendulum farther to cover a long distance -- he gently corrects her. No matter how far the pendulum travels, he says, it takes the same amount of time. "But how can you know?" she asks, and he explains that he uses his pulse to time each swing. He comments on the deep and utter perfection of God's world, and remarks that observation of the world is another way of praising the lord.

 

Galileo Galilei: Meet the Director, Kevin Newbury

Overheard in a recent rehearsal:

Kevin: "Whatever the most amount of fire I can have, I want that."
Jennifer: "Like maybe a torch in a bucket?"
Kevin: "A torch in a bucket… maybe."
Lindsay: "Fire Bucket -- that's my nun name."
Jose: "Sister Fire Bucket."

 

I watch the cast use a table rack, swiped from our physical plant room, as a makeshift gondola, which involves Nick Nelson and André Chiang sitting on chairs on a platform about 4 1/2 feet long, facing each other. The constraints of the fake gondola are such that the two guys are seated nearly on each other's laps, and a ripple of laughter spreads through the cast when they're finally set.

Some costume pieces were added today: petticoats for the ladies, and cloaks and caps for the two Inquisitors. Nick has a black velvet cloak, trimmed at the neck in gold. They are AWESOME.

 

Meet the Director: Kevin Newbury

 

I recently sent members of the cast a few questions to answer for you, blog readers. Kevin graciously told me all about the fun and the challenge of working on modern shows like Galileo. Let's not ever break it to him that it doesn't stop raining in Portland, OK?

In the meet and greet, you told us you like to listen to the music of Philip Glass and John Adams for fun, in your own home. You mentioned, too, that you're 'definitely the person to talk to if you want to get into this music.' What would you say to someone who might be interested in developing an appreciation for composers like Glass and Adams?