We end the season on a very high note with a Portland Opera premiere: The Italian Girl in Algiers.

It’s Rossini’s wildest and craziest comedy, full of music with boundless energy and incredibly virtuosic singing. Ashraf Sewailam will make his Portland Opera debut as the satirical macho man Mustafà who enslaves a group of stranded tourists and gets bested by the central character, an independent young Italian woman – played by Aleksandra Romano, also making her Portland opera debut – who arrives to free her fiancé. Get ready to have fun with this charming and playful work created specifically for the Newmark.

Sung in Italian with projected English texts.

Watch The Italian Girl in Algiers on the big screen during our FREE simulcast of the Wednesday, July 27 – 7:30pm performance. The performance will be projected on a screen outside the theater on Main Street (between Broadway and Park). Seating will be available along with outdoor food and beverage service.

The running time is approximately 2 hours 45 minutes, including intermission.

Download the Newmark Theatre seating map.

View the digital edition of The Italian Girl in Algiers program.




Aleksandra Romano


Katrina Galka


Laura Beckel Thoreson


Jonathan Johnson


Ryan Thorn


Ashraf Sewailam


Deac Guidi



George Manahan


Christian Räth

Scenic Designer

Daniel Meeker

Costume Designer

Sue Bonde

Lighting Designer

Connie Yun

Plot & Program Notes


Not so long ago, Rossini was considered a one-and-a-half hit wonder. THE BARBER OF SEVILLE was internationally recognized, but his other operas were infrequently performed, with the partial exception of the WILLIAM TELL overture.

Today we see Rossini very much as his own audiences did, the composer of wonderful serious operas as well as many great comedies. His career took off in 1813 with TANCREDI, a “heroic opera” centered on warfare between the Byzantine Empire and Arabic Muslims. Its premiere caused a sensation, with his first biographer calling it “a genuine thunderbolt out of a clear, blue sky for the Italian lyric theatre.”

No less triumphant was THE ITALIAN GIRL IN ALGIERS, which opened three months later. This time, Rossini explored the comic possibilities of the relationship between Europe and the Arabic world. The result was one of his finest and funniest comedies, set to music of enormous vitality and great charm —“organized and complete madness.”

The “Italian Girl” Isabella is shipwrecked on the Algerian coast, where the soldiers of chieftain Mustafà capture her. As soon as Mustafà sees her, he decides to discard his current wife in favor of the exotic foreigner. As it so happens, Isabella’s lover Lindoro was captured by Mustafà earlier and they are soon reunited. Through madcap schemes worthy of the Marx Brothers, Isabella manages to bamboozle Mustafà and his entire army, and so escapes back to Italy with Lindoro.