About the Composer & Librettist
Talbot was born in Wimbledon in 1971 and studied privately with Brian Elias, before attending the Royal Holloway and Bedford New College and the Guildhall School of Music and Drama under Simon Bainbridge. Works include the opera Everest (2015), first performed by Dallas Opera; the trumpet concerto Desolation Wilderness (2006), first performed by Alison Balsom and the Royal Liverpool Philharmonic Orchestra; the choral piece Path of Miracles (2005), written for Tenebrae; and the madrigal The Wishing Tree (2002), commissioned by The King’s Singers. Other works include Worlds, Stars, Systems, Infinity, first performed by the Philharmonia Orchestra under Esa-Pekka Salonen at Royal Festival Hall in 2012, and Meniscus for Beijing’s National Centre for the Performing Arts 2013 World Environment Day celebrations. Talbot has also worked extensively in film and television, major credits including The Hitchhiker’s Guide to the Galaxy (2005), Son of Rambow (2007), Franklyn (2008) and The League of Gentlemen (BBC2 series, 1999–2002). Talbot has written widely for dance, collaborations including Wheeldon’s Fool’s Paradise (Morphoses, 2007), McGregor’s Entity (Wayne McGregor | Random Dance, 2008) and Genus (Paris Opera Ballet, 2007) and Chamber Symphony for Medhi Walerski’s Chamber (Residentie Orkest/Nederlands Dans Theater and Norwegian Opera and Ballet, 2012).
Mr. Scheer’s work is noted for its scope and versatility. With the composer Jake Heggie, he has collaborated on many projects, including the critically acclaimed 2010 Dallas Opera world premiere, Moby-Dick, starring Ben Heppner as Captain Ahab; Three Decembers (Houston Grand Opera), which starred Frederica von Stade; and the lyric drama To Hell and Back (Philharmonia Baroque Orchestra), which featured Patti LuPone. Other works by Scheer and Heggie include Camille Claudel: Into the fire, a song cycle premiered by Joyce di Donato and the Alexander String Quartet. Mr. Scheer worked as librettist with Tobias Picker on An American Tragedy, which premiered at the Metropolitan Opera in 2005 and on Therese Raquin which was produced by the Dallas Opera in 2001. Other collaborations include the lyrics for Wynton Marsalis’s It Never Goes Away, featured in Mr. Marsalis’s work Congo Square. With the composer Steven Stucky, Mr. Scheer wrote the oratorio August 4, 1964, for the Dallas Symphony Orchestra. The work was nominated for a Grammy in 2012 for best classical composition. In 2015, Mr. Scheer collaborated with Joby Talbot on the opera Everest, based on the doomed 1996 Everest expedition. With Jennifer Higdon, Mr. Scheer wrote an operatic adaptation of Cold Mountain, which premiered in the summer of 2015 at the Santa Fe Opera. This work won the International Opera award, presented in London, for the best World premiere in 2015. Recently, along with Ms. Higdon, Mr. Scheer was nominated for a Grammy for his work on Cold Mountain for best classical composition. In December of 2016 Mr. Scheer and Jake Heggie premiered an operatic adaptation of It’s a Wonderful Life for the Houston Grand Opera. Also a composer in his own right, Mr. Scheer has written a number of songs for singers such as Renée Fleming, Sylvia McNair, Stephanie Blythe, Jennifer Larmore, Denyce Graves, and Nathan Gunn. The distinguished documentary filmmaker, Ken Burns, prominently featured Mr. Scheer’s song “American Anthem” (as sung by Norah Jones) in his Emmy Award-winning World War II documentary for PBS entitled The War.